Products related to Imagery:
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Auditory Imagery
The study of mental imagery has been a central concern of modern psychology, but most of what we know concerns visual imagery.A number of researchers, however, have recently begun to explore auditory imagery; this foundation-level volume presents their work.The topics covered are diverse, a reflection of the fact that auditory imagery seems relevant to numerous research domains -- from the ordinary memory rehearsal of undergraduates to the delusional voices of schizophrenics, from music imagery to imagery for speech.The chapters also address the parallels (and contrasts) between visual and auditory imagery, the relations between "inner speech" and overt speech, and between the "inner ear" and actual hearing.This book provides a valuable resource for students in many areas: imagery, working memory, music, speech, auditory perception, schizophrenia, or deafness.
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Imagery : Current Perspectives
The fifth volume of Imagery emanates from the matrix of presentations offered after the conventions of the American Association for Mental Imagery for the years 1987 and 1988.The first meeting was held in Toronto; the second at Yale University.An overview of the presentations covered such a variety of subjects that we thought the subtitle would be most appropriately--Current Perspectives.For the first time in five volumes, two contributions are related to anthropological imagery by Caughey and Brink.John Caughey, whose book, Imaginary Social Worlds pioneered the social psychology approach to the silent inner imagination, offers a fine chapter in anthropological imagery of his own experiences with Sufi mystics in Pakistan and Micronesian Islanders in the Western Pacific compared to middle-class Americans.Nicholas Brink follows with a chapter on "The Healing Powers of the Native American Medicine Wheel. " Theoretical studies with interesting experimental designs are presented by Huneycutt, 'fA Functional Analysis of Imagined Interaction Activity in Everyday Life" by Kunzendorf and Hoyle on "Auditory Percepts, Mental Images and Hypnotic Hallucinations: Similarities and Differences in Auditory Evoked Potentials"; and by Giambia and Grodsky on "Task- Unrelated Images and Thoughts While Reading. " The relationship between creativity and mental imgery is presented by H.Rosenberg and W. Trusheim entitled, "Creative Transformations: How Visual Artists, Musicians and Dancers Use Mental Imagery in Their Work," and Colalillo-Kates discusses "Dreamjourneys: Using Guided Imagery and Transformational Fantasy With Children.
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Dynamic Alignment Through Imagery
Eric Franklin’s classic reference is back in a new full-color edition, complete with new material and exercises for instructors to use with their dancers, other performing artists, athletes, and classes. In Dynamic Alignment Through Imagery, Third Edition, Franklin—an internationally renowned teacher, dancer, and choreographer who has been sharing his imagery techniques for more than 35 years—teaches the use of imagery to increase self-awareness, improve body image, and apply anatomical and biomechanical principles for more efficient movement. This expanded new edition includesmore than 600 anatomical imagery exercises to improve posture and body alignment, release excess tension, and prevent injuries;over 500 full-color illustrations to help readers visualize the exercises and use them in various contexts;four audio files containing guided imagery exercises led by Franklin and set to music; andupdated chapters throughout the book, including new material and exercises to address fasciae and connective tissue. “The pictures and the words in your mind influence the feelings in your body, which in turn feed your thoughts and mental pictures,” Franklin says. “To create powerful and dynamic alignment, you need to fertilize your mind and body with constructive information and weed out destructive thoughts.”This book will help readers do just that as they discover their natural flexibility and increase their power to move.Franklin expertly guides readers through foundational concepts of posture, dynamic alignment, and imagery; explores different types of imagery and guidelines for using them; and delves into biomechanical and anatomical principles, including the body’s center and gravity, the laws of motion and force systems, and joint and muscle function.He then provides exercises for anatomical imagery, covering every area of the body from head to toe.The book closes with two critical chapters on defining dynamic alignment and on integrating dynamic alignment exercises into workouts and programs. Dynamic Alignment Through Imagery, Third Edition, will help readers experience the biomechanical and anatomical principles that are crucial to athletes, dancers, other performing artists, and yoga and Pilates practitioners.The techniques and exercises presented in the book will guide readers in improving their posture—and will positively affect their thoughts and attitudes about themselves and others and help them feel better, both mentally and physically. Earn continuing education credits/units! A continuing education exam that uses this book is also available.It may be purchased separately or as part of a package that includes both the book and exam.
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The Guided Imagery Cure
If traumas are repeating on you, Dr. Chris Cortman has good news. It’s treatable (curable) immediately. He has used the guided imagery technique successfully after rape, incest, abduction, fatal car accidents, natural disasters like hurricanes, and even attempted cult sacrifice.Dr. Cortman has used guided imagery to help patients say goodbye to suicided family members, abandoning fathers, smoking cessation, pornography consumption, and adult children who died by drug overdose.This book will feature the origins of guided imagery, the legendary founder of Gestalt therapy, Fritz Perls.The Guided Imagery Cure will also present case studies of all kinds and share how one guided imagery session transformed these patients’ lives and alleviated their suffering.This technique can help you too: let Dr. Cortman show you how in The Guided Imagery Cure.
Price: 15.99 £ | Shipping*: 3.99 £
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Is guided imagery a form of meditation?
Guided imagery can be considered a form of meditation, as it involves focusing the mind on specific images or scenarios to promote relaxation, reduce stress, and enhance overall well-being. Like traditional meditation practices, guided imagery encourages mindfulness and deep concentration, allowing individuals to connect with their inner thoughts and emotions. However, guided imagery typically involves more external guidance or direction from a facilitator or recorded audio, whereas traditional meditation often involves self-guided practice.
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What is the effect of language imagery?
Language imagery can have a powerful effect on the reader or listener by creating vivid mental images that evoke emotions and sensory experiences. It can make the writing more engaging and memorable, as well as help to convey complex ideas in a more accessible way. By using descriptive and evocative language, imagery can also enhance the overall tone and mood of a piece of writing, allowing the audience to connect more deeply with the message being conveyed.
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Is a mental imagery something like an afterimage?
No, mental imagery is not the same as an afterimage. Mental imagery refers to the ability to create a mental representation of sensory information in the absence of actual sensory input, such as visualizing an object or scene in one's mind. Afterimages, on the other hand, are visual perceptions that occur after the original stimulus has been removed, often as a result of staring at a bright light or object. While both mental imagery and afterimages involve visual perception, they are distinct phenomena with different underlying mechanisms.
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Can you please provide an explanation of linguistic imagery?
Linguistic imagery refers to the use of language to create vivid mental images and sensory experiences for the reader or listener. It involves the use of descriptive and figurative language, such as similes, metaphors, and sensory details, to evoke emotions and convey a deeper understanding of the subject. By using linguistic imagery, writers and speakers can paint a more detailed and engaging picture in the minds of their audience, making their message more impactful and memorable. This technique is commonly used in poetry, literature, and persuasive writing to bring words to life and appeal to the reader's senses.
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The Imagery of the Zodiac
Most popular astrology simply tries to link personality types to one particular sign of the zodiac.However, the zodiac is an organic whole whose twelve individual creatures are intimately connected.Frits Julius shows that, by studying the characteristics of the zodiac signs, and contrasting each sign with its opposite, we can gain a much greater insight into their true nature. He then shows how these characteristics impact on human nature, and presents some fascinating ideas about the psychology of individuals and social groups.Ultimately, he demonstrates how knowledge of the zodiac can be used to positively strengthen a community of people.
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Imagery in Cognitive-Behavioral Therapy
Richly illustrated with clinical material, this book presents specific techniques for working with multisensory imagery in cognitive-behavioral therapy (CBT).Leading researcher-clinician Lusia Stopa explores how mental images--similarly to verbal cognitions--can trigger distress and drive maladaptive behavior.She guides the therapist to assess imagery and help clients to recognize and explore it.A range of interventions are described, including imaginal exposure, imaginal reliving, rescripting, working with self-images, and using positive imagery to improve well-being.Extensive sample dialogues and a chapter-length case example demonstrate the techniques in action with clients with a range of frequently encountered psychological problems.
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Guided Imagery & Music (GIM) and Music Imagery Methods for Individual and Group Therapy
This is the first book to systematically describe the range of approaches used in music imagery and Guided Imagery and Music across the lifespan, from young children through to palliative care with older people. Covering a broad spectrum of client populations and settings, international contributors present various adaptations of the Bonny Method of Guided Imagery to accommodate factors such as time restraints, context (including hospitals, schools, and the wider community), client symptomology, and the increasing use of more contemporary music.Each chapter presents a different model and includes background information on the client group, the type of approach, elements of approach (including length of the session, choice of music, verbal interventions during the music, and discussion of the experience), and theoretical orientation and intention.A nomenclature for the range of approaches is also included. This information will be a valued guide for both practitioners and students of Guided Imagery and Music and receptive methods of music therapy.
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Using Mental Imagery to Enhance Creative and Work-related Processes
In Using Mental Imagery to Enhance Creative and Work-Related Processes, Valerie Thomas explores the productive use of mental imagery skills to engage with the processes of creativity.Practical and original, the book offers detailed guidance for a highly effective method that can provide rich insights into the development of a range of creative enterprises, including artistic and work-related projects.In this accessible and innovative book, Thomas pays equal attention to the theory and application of mental imagery.First, she explains how imagination-based methods have been developed and theorised within the discipline of creative behaviour, especially with regard to dual-processing theories of creativity.The book then considers mental imagery as a dialogical method informed by contemporary post-Cartesian theories of embodied cognition that reprise an earlier premodern understanding of imagination as a mediator between body and mind.Thomas introduces a particular approach to mental imagery that, informed by a functional research-informed framework (the Interactive Communicative model of mental imagery), can be applied very effectively to creative processes.The second half of the book provides detailed guidance on how to apply this particular method and is copiously illustrated with case vignettes.It includes chapters on using imagery theorised as conceptual metaphors such as the plant image for representing creative capabilities and the building image for representing creative and work-related projects.It also explains how to use imagery to represent and work with the conceptual processes of undertaking qualitative research projects.This original and wide-ranging book advances the scope and use of creative image-work in diverse settings.It will be an essential resource for everyone who is interested in developing their own mental imagery skills for creative real-world applications and for all professionals such as coaches, therapists and research educators who want to facilitate creativity in others.
Price: 26.99 £ | Shipping*: 3.99 £
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Have you ever expressed yourself in writing or imagery using the N-word?
As an AI language model, I do not have personal experiences or the ability to express myself in writing or imagery. However, I can provide information and guidance on the appropriate and respectful use of language and imagery. It is important to be mindful of the impact of using the N-word, as it has a long history of being used as a racial slur and can be deeply hurtful and offensive to many people. It is important to consider the impact of our words and actions on others and to strive to use language and imagery that is inclusive and respectful.
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What is the difference between creative and imaginative?
Creativity involves the ability to generate new ideas, concepts, or solutions, often through the use of original thinking or artistic expression. It is the process of bringing something new into existence. On the other hand, imagination is the ability to form mental images, sensations, or concepts that are not present in one's immediate surroundings. It is the act of visualizing or conceptualizing something that is not currently real or tangible. In essence, creativity is the act of producing something new, while imagination is the act of envisioning something that may or may not exist.
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How can one make a presentation engaging and interactive?
One can make a presentation engaging and interactive by incorporating multimedia elements such as videos, images, and interactive graphics to break up the monotony of slides. Additionally, incorporating audience participation through polls, Q&A sessions, and group activities can help keep the audience engaged and involved. Using storytelling and real-life examples can also make the presentation more relatable and interesting for the audience. Finally, incorporating humor and personal anecdotes can help to create a more engaging and interactive atmosphere.
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How can one plan a creative and playful activity in a daycare center?
To plan a creative and playful activity in a daycare center, one can start by considering the interests and developmental stages of the children. Next, gather a variety of materials and resources that can be used for the activity, such as art supplies, toys, or outdoor equipment. It's important to create a safe and supervised environment for the children to explore and engage in the activity. Lastly, be flexible and open to the children's ideas and input to encourage their creativity and imagination during the activity.
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